Publications

(2022). Trait-dependent and trait-consistent affect regulation in musical practice. Psychology and Music - Interdisciplinary Encounters, October 26-29, 2022, Belgrade, Serbia.

(2021). The effect of low frequency equalisation on preference and sensorimotor synchronisation in music. Quarterly Journal of Experimental Psychology, 75(3), 475-490.

Preprint Source

(2021). No one-size-fits-all: The influence of low-frequency equalisation on preference and sensorimotor synchronisation in music. Poster at the 16th International Conference on Music Perception and Cognition (ICMPC), Sheffield, UK.

(2021). Expertise-related motion patterns and performance precision in unaccented drumming. Motor Control, 25(4), 1-36.

(2020). Degradation effects of water immersion on earbud audio quality. Audio Engineering Society Convention 149. Audio Engineering Society, October 21-24, 2020, New York City, NY, USA..

Preprint

(2019). Forearm muscle co-contraction in drummers and it’s relation to expertise, tempo, and performer precision. International Symposium on Performance Science. July 16-20 2019, Melbourne, Australia.

(2019). Microtiming analysis in traditional Shetland Fiddle music. 20th International Society for Music Information Retrieval Conference (ISMIR). November 4-9, 2019, Delft, The Netherlands..

(2018). Rhythmic entrainment for hand rehabilitation using the Leap Motion controller. Latebreaking demo in 19th International Society for Music Information Retrieval Conference (ISMIR). September 23-27, 2018, Paris, France.

(2018). Expertise-related differences in forearm muscle co-contraction in drummers. 2nd International Congress on Musicians Physiotherapy. September 06-08, 2018, Osnabrück, Germany.

(2017). Standing Still on the Dancefloor: Emotion, Movement, and Electronic Dance Music. CTM Festival. January 27- February 5, 2017, Berlin, Germany.

(2017). Popular music and the role of vocal melody in perceived emotion. Psychology of Music, 46(3), 411-423.

(2014). Performer Profiling as a Method of Examining the Transmission of Scottish Traditional Music. 4th International Workshop on Folk Music Analysis (FMA). June 12-13, 2014, Istanbul, Turkey.

(2014). From Faraday to Fourier: teaching audio technology fundamentals using loudspeaker design. Audio Engineering Society Convention 136. April 26-29, 2014, Berlin, Germany.

(2012). Emotion recognition in Western popular music: The role of melodic structure. Presentation at the 12th International Conference on Music Perception and Cognition (ICMPC), July 23-28, Thessaloniki, Greece.

(2012). A novel approach for time-continuous tension prediction in film soundtracks. in Proceedings of Audio Mostly 2012, 7th Conference on Interaction with Sound, September 26-28, 2012, Corfu, Greece.

(2012). A feature survey for emotion classification of Western popular music. Presentation at the 9th International International Symposium on Computer Music Modelling and Retrieval (CMMR), June 19 - 22, Queen Mary University of London, UK.

(2011). Emotion classification in popular music: An interdisciplinary approach. Presentation at the 10th Digital Music Research Network Workshop (DMRN), December 22, 2011, Queen Mary University of London, UK.

(2011). Acoustic analysis and mood classification of pain-relieving music. The Journal of the Acoustical Society of America, 130(3), 1–10.

(2010). Emotion classification of Western contemporary music: identifying a representative feature set. Poster presentation at the 11th International Conference on Music Perception and Cognition, July 23-28, 2010, Seattle, US.

(2009). An exploration of the effect of structural and acoustical features on perceived musical emotion. in Proceedings of Audio Mostly 2009, 4th International Conference on Interaction with Sound, September 02-03, 2009, Glasgow Caledonian University, Scotland.

(2008). Music emotion classification by audio signal analysis: Analysis of self-selected music during game play. in Proceedings of the 10th International Conference on Music Perception and Cognition (ICMPC), 25-29 August 2008, Sapporo, Japan.

(2008). Control of sound environment using genetic algorithms. in Proceedings of Audio Mostly 2008, 3rd Conference on Interaction with Sound. October 22-23 2008, Lulea University of Technology, Pitea, Sweden.

(2008). A reflexive audio environment using genetic algorithms. in Proceedings of ARTECH 2008 4th International Conference on Digital Arts 7, November 08, Portuguese Catholic University Porto. Portugal.